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Nikon capture nx2 u point free download
Capture NX 2 easy-to-use software lets you make intuitive photo enhancements which are immediately visible on your monitor. Simply place the Control Point on the area that you want to edit and U Point Technology will analyze color elements such as hue, saturation and brightness, as well as recognize similar areas where an edit would best be applied.
Enhancements for hue, brightness and saturation are as simple as placing a Color Control Point on your image, then adjusting the length of the sliders. For example, Color Control Points are remarkably convenient for changing the color of flowers to better effect against green surrounding foliage.
This new function enables you to apply enhancements such as Unsharp Mask or Nikon capture nx2 u point free download to a specific area with just a click of the mouse. There is no need for precision selection or masks – the Selection Control Point recognizes the areas you want to modify.
The enhancement effect can easily be adjusted, allowing you to apply your chosen effect as you would with intuitive masking. To simply achieve more natural-looking results, Auto Retouch Brush lets you remove dust spots on an image using a mouse click and stroke to match the surrounding color and tones.
This can also be used to remove facial blemishes, imperfections on flowers, or other unwanted objects within the frame.
Using the slider at [Quick Fix], you can adjust shadows by [Shadow Adjust] and blown out highlights by [Highlight Adjust]. Four workspaces are provided: Browser, Metadata, Multi-Purpose nikon capture nx2 u point free download Edit, nikon capture nx2 u point free download your window composition can be easily switched among them.
You can open multiple image processing settings at the same time and make parallel process adjustments of multiple details. Supports inkon kinds of labeling and five levels of ratings according to XMP, a metadata sony pro 11 free download getintopc free standard. Imaging Products.
Capture NX nikon capture nx2 u point free download Powerful tools for quick and easy photo editing. Key Features Specifications. Key Features Nikon capture nx2 u point free download Control Point: Enhancements for hue, brightness and saturation are as simple as placing a Color Control Point on your image, then adjusting the length of узнать больше здесь sliders.
Two Color Control Points were used to enhance color and brightness of flower petals and the background. Selection Control Point: Pount new function enables you to apply enhancements such as Unsharp Mask or D-Lighting to a specific area with just a click of the mouse. D-Lighting brightens the shadow areas, uu Selection Control Point applies the effect only to the bright subjects and their surroundings seen through the opening between foliage and water.
Tone Curve nikno the brightness and contrast, and Selection Control Point applies the effect only to the man and his surroundings. Auto Retouch Brush: To simply achieve more natural-looking results, Auto Retouch Brush lets you remove dust spots on an image using a mouse click and stroke to match the surrounding color and tones. Dkwnload Four workspaces are provided: Browser, Metadata, Multi-Purpose and Edit, and your window composition can be easily switched among them.
Simultaneous opening of multiple settings: You can open multiple image processing settings at the same time and make parallel process adjustments of multiple details.
[Nikon | Imaging Products | Capture NX 2
For links to all the latest articles on Nikon gear and photography from around the world wide web, take a look at Nikonlinks. Keep in mind that Capture NX2 is a large toolbox with a variety of tools. Not every job you come across will require all of these tools, but they are there if you need them. Other RAW converters will only read white-balance WB settings from your NEF and interpret everything else tone, color, sharpness using their own default settings.
Often times, this means less work in post-processing, especially if your camera settings were optimal. Automatic Adjustments Capture NX2 implements many corrections automatically, saving time during editing. If anyone knows the properties of the Nikon camera sensors, it is Nikon themselves.
The RAW converter generally allows the photographer to make global changes to the image changes that affect the entire image , but then local changes like dodging and burning must be performed in a separate application on a RGB image file TIFF or JPEG.
Non- destructive editing is possible in other applications, but often involves doubling or tripling the file size. Which would you rather have– a 20MB file or a MB file? Again, the savings in storage requirements are profound.
A single 20MB NEF file could easily contain the instructions for producing five different image variants of different sizes and qualities. Here is an overview of some of the new features found in Capture NX2. At the end of the day, you may find yourself using Capture NX2 for the majority of your editing and relying on other applications less. I always keep a copy of Photoshop around for the times when I need to add effects such as these to my images.
Evans, Colorado. Who wants to spend time in front of the computer when you can spend time behind the lens? Which one to choose? In fact, I strongly recommend that beginners shoot RAW. A digital RAW image is not actually an image at all. It is a package of data produced by your digital camera.
Some of that data comes from the image sensor. Other pieces of information include shooting information like shutter speed, aperture and lens focal length.
In and of itself, a RAW file cannot be displayed as an image. The images you see on your computer screen are RGB images. Just as a color print negative needs to be properly processed and converted into a positive print, the camera sensor data needs to be properly interpreted to produce an RGB image.
Consider it the same as a choice between taking your film to the local drugstore for developing and printing or setting up a home darkroom. While the automated printing machines at most photo labs did a decent job overall, there were situations where the automated settings were clearly not appropriate. I once went out to the Mojave desert to photograph the Hale-Bopp comet. At the time, I was simply shooting print film and I had it processed at a local budget lab.
Sure enough, the machines in the lab were fooled by the excessively dark background essentially black and adjusted the exposure to a middle gray value. All my prints came back looking grainy and gray, when I knew the sky should have been printed dark.
I had no way to go back and change the prints. You can think of your digital camera as being a self-contained photo lab when you shoot in JPEG mode. The resulting JPEG file will have some, but not much, latitude for adjustments and corrections later on in your computer. It is fairly compact, it can be compressed, and if produced properly it can make excellent prints.
But there are some significant limitations to the JPEG file that make it less useful for photographers wishing to get the maximum quality from their cameras. This means that when you save them, the JPEG compression algorithm which makes the files smaller actually throws away image data.
Every time you save a JPEG, some data are thrown away. Therefore, if you wish to use JPEG as your digital negative, it is imperative to use the highest possible quality setting and always save your processed images as copies. Overwriting the original JPEG file results in unrecoverable data loss. JPEGs are 8-bit color. On the other hand, a bit image offers the photographer potentially 65, steps of tonality. Is that overkill? What if you set the white balance wrong, or accidentally have noise reduction set too high and lose image detail?
L-R Original image. JPEG image corrected using standard tools. Especially to those new to photography, who might not be experts at dialing in the optimal camera settings for a particular scene, shooting JPEG is a liability.
The images below are an example of what happens when I make a mistake which happens a lot, according to my wife. The as-shot image was overexposed by at least 1. So what is a photographer to do? Clearly, the optimal format to save images in must preserve as much image data as possible, offer a bit color space, and allow the photographer the flexibility to override the settings set by the camera.
This is exactly what the RAW format does. The RAW Advantage Besides the obvious strength of the RAW format in terms of the quantity and quality of data preserved in the RAW file, the major advantage of shooting in RAW is that you can apply changes to your image in a way that is non-destructive.
RAW files contain enough data to permit bit editing and they are substantially more compact than an equivalent RGB image file. A layered TIFF or file is the preferred choice for non-destructive editing an RGB image, because the original image is preserved in the bottom-most layer, allowing edits to be done apart from the actual image data. Maybe you can hold off on getting that 3 terabyte storage disk array for a couple more months Because new features and improvements are made to RAW conversion software over the years, I can reprocess my older RAW files with newer software.
Also, as I learn new techniques for post- processing, I know that I can go back and apply the changes non-destructively to my old NEFs. Shooting RAW– some considerations While the RAW format is an ideal one for producing high-quality images, there are some things to keep in mind before you jump in to becoming a RAW shooter. Four-gigabyte memory cards are pretty much the minimum if you shoot RAW with a megapixel or higher camera.
The other consideration to make when shooting RAW is computer horsepower. For the purposes of this book, you can think of a NEF file as being a container with multiple partitions– sort of like one of those plastic food containers with compartments for different foods. This part of the RAW file is never overwritten. The metadata includes information about the image, such as shutter speed, aperture, time, date, and more. Usually additional areas in this section can be filled in by certain computer applications.
For example, there are placeholders for keywords, copyright information, and captioning. Third-party RAW converters typically read only the white-balance information and discard the other instructions. The embedded JPEG image is produced by the camera and reflects the in-camera settings that were active when the image was taken.
For example, I have a few custom banks set up in my cameras that allow me to quickly tailor images for landscapes, portraits, or wildlife shots. The Shooting Menu is designated by a camera icon in your camera menus. It is where you will find all the major parameters that affect image processing and quality, such as ISO, white balance, and sharpening.
If you are using one of the newer Nikon DSLRs introduced after October , many of the image parameters are in the camera section called Picture Control. Here is a list of the camera settings that you should consider when setting up for a shoot. However, you may have some additional options, depending on the camera you use. This can be useful when you are trying to preview lots of files on a less powerful computer or a laptop.
If you choose a small, highly compressed JPEG, some of the image details may not be readily apparent when you review the image on your camera LCD. RAW Compression- should you use it? So Nikon has some options where you can choose to compress your NEFs and save on file space.
Nikon offers two forms compression in its NEF file format, depending on the camera you use. If you set white balance incorrectly, you could have unnaturally blue or orange images due to extremes in color temperature. You can use that gray card image later on in Capture NX2 to really nail white balance and copy the settings to the other images in the series more on that later.
Long Exposure NR This setting allows your camera to take a second exposure with the shutter closed, and then subtract any sensor noise caused by something called dark current. It is very useful for getting perfectly black skies during long night exposures. This is one setting that cannot be altered in post-processing there is no way for the camera to take a second exposure after the fact. As a result, noise in shadow areas often becomes noticeable.
First of all, you can get more control over noise removal in Capture NX2, or by using dedicated noise removal software. Second, NR requires much more computer horsepower when you render your image.
Depending on your camera model, you might not be able to disable NR in the camera menus. Camera Settings or Picture Controls? In late , Nikon introduced a new form of adjusting the in-camera settings, called Picture Control. Each of these starting points can be modified and saved in your camera.
The Picture Control presets differ in their contrast, saturation, and sharpness settings. You can also customize the sharpness, contrast, saturation and hue for any Picture Control preset. You can compare the looks of each preset when you process your image in Capture NX2. Sharpening Sharpening is the one parameter that I adjust on each image individually, depending on its final output destination print, web and size. Depending on your camera, sharpening is either in the Camera Settings menu or in the Picture Controls.
Sharpening routines can have profound effects on image quality, and must be done with care. Fortunately, quality sharpening is one of the strengths of Capture NX2. For JPEG shooting, this is a critical setting.
Too much contrast will mean that shadow and highlight details may clip and be rendered unrecoverable. I personally use the Adobe RGB space. It offers a much wider color space than sRGB and is well suited for ink jet printers. For more about color spaces, check out a book on color management. Depending on your camera model, the color mode setting may also affect your choice of Color Space. Note the stronger reds and greens in Mode III. Mode I can be utilized to make a fairly vivid image of people while still getting natural looking skin tones.
Mode III color not only increases the color saturation, but it boosts reds and greens. So where should you set the color? Ultimately, it depends on your subject. Good for portraits. Good as an all-around setting. Useful for landscape shots. Not recommended for portraits! Standard sharpening and contrast. Can be modified for other effects, like sepiatone.
For more on Picture Control settings, refer to Chapter 8. Hue Adjustment This setting allows photographers to change the way colors are perceived by their camera. If, for example, your photos showed a greenish cast, you could theoretically compensate for it by making a hue adjustment. This is one feature that I never use in my camera, as it affects all the colors in the image. The next step is up to you. Go out and start filling up some memory cards with NEF files.
This box allows you to choose the location of where that TIFF file is saved. Folder for temporary data For optimum performance, set this to a directory on a secondary hard disk drive. Color Management Preferences Proper color management is essential to digital workflow. In this dialog, you can adjust how Capture NX2 handles color profiles. While I recommend the Pro Photo RGB space for editing, it is important to understand the basics of color management and how it can impact your workflow.
Many printers install custom profiles based on different paper types and print settings. Therefore I have chosen the appropriate Epson profile from the drop-down box. I recommend setting the black clip point to 0. Cache Preferences This section allows you to set the directories and size limits for the various Capture NX2 cache files. For best performance, put the cache directory on a secondary hard disk instead of your primary drive.
Limiting the cache size will keep the number of cached images lower and retain space on your hard disk. You can choose one of the presets, or set your own label values. Manage Settings Use this dialog box to manage your saved settings files. You can add and delete settings files from the list, and you can also make settings visible in contextual menu shortcuts by enabling the checkbox next to a setting.
Use custom workspaces to tailor the Capture NX2 interface to suit your needs. Setting your cache file directories to the secondary hard drive improves data throughput and speeds up the application. Not only will this arrangement improve Capture NX2 performance, but it will probably improve the overall performance of your PC.
I always disable color noise reduction in my cameras because applying the in-camera NR settings to your images slows down Capture NX2 performance. I do use noise reduction, but I do it at a later stage in my editing workflow. Of course, my workflow is based around editing small numbers of images one at a time in Capture NX2, and my routine for noise reduction is generally tailored for each image.
A few new features were added to allow the user to customize the interface to suit their needs. The most obvious new feature of the Capture NX2 interface is workspaces. You can choose from one of four pre-configured workspaces depending on what you are using the application for.
In the Browser workspace, the file directory tab on the left side of the screen is expanded. The Metadata workspace defaults to a list view of your image thumbnails. This workspace is useful if you are adding keywords and other metadata to your images in NX 2. The multi-purpose workspace displays the editing palettes on the right-hand side of the screen, and has the browser window open on the left-hand side of the screen. The multi-purpose workspace is ideal for users who want to browse and edit images simultaneously.
All the palettes on the left-hand side of the screen are collapsed. The available choices will vary depending which workspace is displayed on your primary monitor. I use full-screen mode the most often as the gray background is useful for viewing colors accurately on the screen.
Facing Page: Full screen mode top and Presentation mode bottom are additional ways to view your images. My goal for each of the subsequent chapters is to go through the processing of a NEF file in the order in which I apply adjustments and operations. Keep in mind that Capture NX2 like many other image editing applications has numerous tools and many of them can be used to achieve similar effects. My intention is to work my way through the tools that I use most frequently, in the order of operation that is appropriate for optimal image output.
The long and winding road In the journey that is editing a NEF file, no one should be without a road map. It is always important to know, even if just at a rudimentary level, where you are trying to go. In fact, most images rarely require the use of every point on my editing road map, and can be adjusted with just a few quick steps. Another reason why it is good to have a road map of editing workflow is because the approach you take to post-processing should involve some visualization.
Before he went into the darkroom, Ansel Adams always had an idea of what he wanted to convey in his print. His goal was to convey in his print what he saw and felt when he captured his exposure in the field. Therefore, I feel it is important, as digital photographers, not to get caught up in trying to apply every tool and effect to a digital image just because our software has those tools.
These adjustments often revolve around the fundamental operation of converting the raw sensor data to an RGB image. Think of the RAW Adjustments as the foundation upon which all your other adjustments will be built upon. A classic example is dodging and burning, where you are adjusting the contrast of certain parts of your image beyond what was obtained in the original exposure.
Other applications either do not permit local application of effects or require complex masking schemes to apply them. From there, the master image can be further refined for printing or other output. However, most photographs are judged by their final output, which usually involves a print. Final output could involve resizing the image for use on a website, or sending it in an email to friends and family. First, it gives you a good outline of the kinds of adjustments you can be thinking about when you first approach an image to work on.
Second, it puts the adjustments into the proper order that will maximize your image quality and minimize your frustration. Keep in mind that Capture NX2 editing workflow is linear, starting with the Develop Section and continuing with the order of the steps in the Adjust Section.
Does that mean you need to stick to this script rigidly? Of course not. The rest of the book contains lots of details about numerous Capture NX2 editing tools, but in reality, the overall image editing process is quite straightforward.
The following pages will take you through the basic image editing procedure to help you understand the simplicity of image processing in Capture NX2. After a few seconds, the image should appear. Learn more about the D Archived. Learn more about the D90 Archived.
Learn more about the D3 Archived. Learn more about the D3X Archived. Learn more about the DS Archived. Learn more about the D3S Archived. Learn more about the Nik Color Efex Pro 3. Selection Control Point: This new function enables you to apply enhancements such as Unsharp Mask or D-Lighting to a specific area with just a click of the mouse.
D-Lighting brightens the shadow areas, and Selection Control Point applies the effect only to the bright subjects and their surroundings seen through the opening between foliage and water. Tone Curve adjusts the brightness and contrast, and Selection Control Point applies the effect only to the man and his surroundings. Auto Retouch Brush: To simply achieve more natural-looking results, Auto Retouch Brush lets you remove dust spots on an image using a mouse click and stroke to match the surrounding color and tones.
All of those free options have some photo organizing and sharing options but as image editors they provide only what they have to provide in what they like to think are tools easy enough for a child to use. While these tools make global changes easy to make — lighting or darkening a whole image, for example — making a change in just one part of an image is often obscure. Sure, you can eliminate red-eye or lighten a backlit subject but anything else gets tricky.
If you want more control, you look up a shelf. Except for Photoshop, each of these applications can edit without touching the original data, recording recipes in the metadata to affect changes when the image is opened. None of these are free but they provide distinct advantages over the first group where user patience is short.
Still, none of them are exactly transparent when it comes to making local corrections. Back to Contents. That may be because image editing itself is not something that comes naturally. You don’t have to be a photographer to tell when a shot is too dark or too light or a face doesn’t look right because it has red-eye or is backlit or out of focus. But concepts like hue, saturation and color temperature take some study to master. And who has time for that?
You don’t want tools easy enough for a child to use, you want tools easy enough for an adult to use. Lucky for you, there are a lot of you out there and companies like Nikon are taking notice, trying to build something you can appreciate.
Talk about local correction. HTM nik using U Points. You aren’t shooting Raw. You’re shooting JPEGs of a birthday party. And you want to edit a few images because you really like them enough to frame them but they have some flaws. You wonder if you can fix the flaws and salvage the image. You doubt it. You doubt it because you don’t know Photoshop. Scott Kelby does not live next door and you’ve never taken a weekend Photoshop seminar.
You don’t know which book to buy and you can’t understand the chapter titles anyway. You just want to improve the image. Make some local changes without becoming a wizard in masking techniques. U Point is what we consider a Noble Prize worthy tool to do just that. You just point to a place in your image that you’d like to change and then, using nothing more than sliders, make an adjustment. Hello Jerry, thanks for the example. If I understand correctly, the brush eraser tool can be used to fix masks created with U-points.
Thart sounds good!